Both projects are important but the ditch should take priority.

Not honey bees, but work and music as shown here:

https://www.youtube.com/watch?v=HI0x0KYChq4

Yes, because the history of art was made by centralised government garages.

Why doesn’t anyone say ANYTHING?

Any artist-lawyers out there?

Surely you know what the Labour definition of qualifications is by now?

I guess 12-year-olds don’t vote.

I am really looking forward to seeing who will benefit from the Eur3.6 million collected in l-Istrina campaign this year especially when so much money was spent last year on the eating disorders center which allegedly has only taken in a very small number of clients.

I love all the emphasis put on the word ‘artists’.

I’d bet my bottom dollar that even if the place was in theory open to all artists (which it won’t be; they’re using the word for prestige and marketing purposes), the carnival people will completely take over the complex and make anyone else who tries to use it feel really uncomfortable and out of place.

Pointless and asinine. I prefer the new entrance, but so what?

If it serves to acknowledge the contribution to the country’s attractions and pecularities, I don’t see a problem.

When this is abused to cast aside another dimension in the nation’s cultural spectrum, then yes.

As for the Valletta ditch garden it is only an excuse to accommodate other promises, nothing more.